WAY OF PERCEPTION OF THE EASTERN IDEOGRAPHY THROUGH THE ENERGYINFORMATION MATRIX OF TRADITIONAL CHARACTERS (HIEROGLYPHES)

The article gives a comparative analysis of the interaction of structural and semantic components of traditional, abbreviated and simplified ideographic signs. The example of several hieroglyphs shows the processes of transformation of the components of characters, their impact on the creatively-conscious and cultural-historical existence plan in historical, metaphysical and etymological aspects. A comparison is made and the capacity of the compositional space of the traditional and modern abbreviated or simplified ideographic sign is analyzed. The processes of simplifying ideograms are shown, which, as a rule, lead to the destruction of the traditional initial energyinformational, logical-semiotic and semantic foundations of the sign, affect the original initial structure of the character, lead to distortion and imbalance in the visual-graphic design and energyinformational content of the ideographic sign. Simplification of features is considered, which leads a traditional sign, which is in a state of balance and equilibrium, to degradation, energyinformation involution. Against this background, it is clearly seen how the traditional spelling of the sign reflects a harmonious perception of the world, therefore, leads to its increase. Fundamental knowledge of ideographic writing is a long and painstaking process of understanding the unshakable unity of the energy flows of man and the Universe contained in the energyinformation matrix of the hieroglyphic sign. In view of this, the training and study of ideographic writing must begin with an understanding of the concept of a hieroglyph, the consistency of its structural proto-elements — hell (strokes), in conjunction with the rules of calligraphy, which allows you to get an accurate idea of the energy-information matrix of the universe. The etymological approach to the development of classical hieroglyphs with a full set of traditional strokes by specialists in the field of oriental languages and culture increases the quality of professional education. Preparation for effective professional activity begins with a firm mastering of basic strokes, dots, hieroglyphic keys, traditional ideographic signs.

stroke, basic features (strokes), proto-element, ideographic sign, ideogram, character (hieroglyph), hieroglyphic keys, pictograms, Japanese language, Chinese language, calligraphy.

Strelnikov I. A., Blinov L. V., Strelnikova N. V., Kalinkina P. A. Way of perception of the eastern ideography through the energy-information matrix of traditional characters (hieroglyphes). Business. Education. Law, 2020, no. 4, pp. 387–393. DOI: 10.25683/VOLBI.2020.53.460.