CHORAL STACCATO: ARGUMENTATION OF THE CORRECTNESS OF PERFORMING A LITERARY TEXT IN SINGING
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Author(s): | Malatsay L. V., |
| Number of journal: | 4(73) | Date: | December 2025 |
| Annotation: | Nowadays, the level of professional skills of modern Russian choral groups has increased significantly in comparison with the collectives of the Soviet period. This fact is determined by the abundance of educational and methodological literature created by leading choirmasters, as well as high-quality professional education at all levels of training in this field of art. Modern composers never cease to amaze listeners with new discoveries in sound, in set design, and in their own artistic approach to creating artistic images. Professional service to the choral art requires constant improvement of a set of skills and abilities. The vocal technique of singers develops in the work on different types of vocalization, each of which has its own characteristics and requires not only knowledge, but also a certain practical experience. Vocal technique develops in the work on different types of vocalization, each of them has its own characteristics and requires mastery of certain skills. Choral staccato as a method of presenting musical material in choral scores has been used by composers for quite a long time. Its application in choral music expands the range of expressive and pictorial possibilities of compositions. Vocalization issues have attracted increasing attention from performers in recent years. The research, the results of which are reflected in the publication, is aimed at resolving controversial issues. The improvement of performing skills is based on high-quality technical preparation of the work and competent artistic finishing, one is not possible without the other. Persistent, purposeful search for expressive performing means corresponding to the figurative and emotional nature of the works will help achieve artistically valuable results and interest the listener. | ||
| Keywords: | academic choir, vocalization, sound studies, choral staccato, technical skills, choral art, conducting, choirmaster, S. I. Taneev, Yu. A. Falik |
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| For citation: | Malatsay L. V. Choral staccato: argumentation of the correctness of performing a literary text in singing. Biznes. Obrazovanie. Pravo = Business. Education. Law. 2025;4(73):344—349. DOI: 10.25683/VOLBI.2025.73.1432. |
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