| PDF: |
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Author(s): |
Melnikova E. P., |
| Number of journal: |
2(75) |
Date: |
June 2026 |
| Annotation: |
The article is devoted to understanding the pedagogical
foundations of cooperation between humans and artificial
intelligence (AI) in the process of creating choreographic compositions.
The purpose of the research is to theoretically substantiate
the model of dialogical interaction between humans and AI
in the process of creating modern choreography and to determine
its pedagogical potential. The subject of the research is the pedagogical
foundations and methodological principles of cooperation
between a teacher-choreographer, students and artificial
intelligence. Modern dance, historically focused on experimentation,
improvisation and deconstruction of form, is becoming
a special field for the study of human interaction and algorithmic
systems. The article considers the transformation of the status
of AI from an auxiliary tool to a dialogical partner in the artistic
and pedagogical process. It is concluded that it is necessary
to form a new teaching methodology aimed at developing a critical, body-reflective and ethical attitude towards digital
tools. The prospect of future choreographic education is predetermined,
which is associated with the formation of competence
for conscious interaction with algorithmic systems
while maintaining the priority of bodily experience and artistic
responsibility in creating choreographic compositions.
The methodological basis of the research consists in the complexity
of the object, which requires an interdisciplinary synthesis
of methods: aesthetic analysis and comparative historical method
to identify the prerequisites for cooperation in the researchers'
experience, the method of participatory pedagogical observation
and analysis of video records of classes, as well as the casestudy
method, viewed through the authors' lens and their research
approaches. The limited capabilities of AI as an autonomous
choreography generator are noted. The necessity of professional
cooperation between choreographers and AI specialists
for the productive use of these technologies in choreographic art
is emphasized. |
| Keywords: |
choreography, artificial intelligence, art pedagogy,
authorship, corporeality, dialogue, creativity catalyst,
choreographic compositions, generation of choreographic text,
technology, educational process |
| For citation: |
Melnikova E. P. Pedagogical foundations of human-artificial intelligence cooperation as a creativity catalyst in choreography.
Biznes. Obrazovanie. Pravo = Business. Education. Law. 2026;2(75):474—479. DOI: 10.25683/VOLBI.2026.75.1626. |